Tom Hughes

Evan McCauley has skills he never learned and memories of places he has never visited. Self-medicated and on the brink of a mental breakdown, a secret group that call themselves “Infinites” come to his rescue, revealing that his memories are real.

Deke, a burnt-out Kern County, CA deputy sheriff teams with Baxter, a crack LASD detective, to nab a serial killer. Deke's nose for the little things proves eerily accurate, but his willingness to circumvent the rules embroils Baxter in a soul-shattering dilemma. Meanwhile, Deke must wrestle with a dark secret from his past.

Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

The story of Queen Victoria, who came to the throne at a time of great economic turbulence and resurgent republicanism – and died 64 years later the head of the largest empire the world had ever seen, having revitalised the throne’s public image and become “grandmother of Europe”.

The Game is a 1970s Cold War spy thriller set in the world of espionage. It tells the story of the invisible war fought by MI5 as it battles to protect the nation from the threats of the Cold War.

Adding a little spice to a waning marriage, Anne and Bob, a wealthy and well-connected American couple, move into a manor house in romantic Paris. While preparing a particularly luxurious dinner for sophisticated international friends, our hostess discovers there are 13 guests. Panic-stricken, Anne insists her loyal maid Maria disguise herself as a mysterious Spanish noble woman to even out the numbers. But a little too much wine and some playful chat lead Maria to accidentally endear herself to a dandy British art broker. Their budding romance will have Anne chasing her maid around Paris and finally plotting to destroy this most unexpected and joyous love affair.