Love and desire fill the minds of villagers in a Hungarian speaking village in Transylvania, Romania, even in their old age. Time has stood still here, and although most of the village's inhabitants are elderly, they are refreshingly young at heart.
Over the past 25 years, Lauren Greenfield's documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.
Father and son Vít and Grisha travel to Russia to visit the boy’s mother and sister. Why did their previously harmonious family split in two? A documentary road movie about the distance between two Slavic countries, the difficulties of fatherhood and puberty, and the alienation between people who should, in theory, be the closest of all.
The Romanian penitentiary system allows, from 2006, the marriage of people sentenced to serve time in prison. Most of the inmates cultivate the pre-existing relationships with the concubines or partners who live outside the prison walls. Though, there is a special category, of those who find a life partner during their time in prison. VISITING ROOM follows the stories of some prisoners found in different penitentiaries across the country, who have found their life partner during their sentence time. The one is either a person from outside, or as them, a person who is serving time in prison. Our intention was to talk to the people found in the special situation of being deprived of freedom, to whom love becomes a substitute for freedom and represents maybe their only hope for a better future.
Born into one of the wealthiest and best-known families in American history, Gloria Vanderbilt has lived in the public eye for more than 90 years, unapologetically pursuing love, family and career, while experiencing extreme tragedy and tremendous success side by side. This documentary features a series of candid conversations as Vanderbilt and her youngest son, Anderson Cooper, look back at her remarkable life.
Three women whose paths never cross, yet are bound by the shared experience of losing their mothers during adolescence, exploring each one’s sometimes-complex relationship with her mother.
What is a family? Rosie O'Donnell looks at the many answers to this question in this documentary that features original songs and thoughtful kids musing on love and family. The show provides a less than moving portrait of the remarkable diversity of so called families today, including same-sex parents, mixed-heritage families, and stories of adoption. Animated songs and musical performances by kids and families spice up the festivities along with performances and recordings by artists including Ziggy Marley, Bonnie Raitt, Doris Day, Sweet Honey in the Rock, Frank Sinatra, Rosie O'Donnell and They Might Be Giants.
This portrait of Hilary Knight, the artist behind the iconic Eloise books, sees him reflecting on his life as an illustrator and his relationship to his most successful work.
This one-hour verité documentary shows a day in the life of a successful barbershop on Harlem's 125th Street. The film shows the vital role community barbershops play as a forum for black men to discuss any topic, whether controversial or banal, sacred or profane, political or personal, in an environment of heated debate and/or male fellowship. Topics discussed in the film include HIV/AIDS, infidelity, gay marriage, greedy preachers, Bill Clinton, the world's sexiest actresses, and more. Though in some ways this is a quintessential black barbershop, where macho attitudes often prevail, women do play a role in the shop's conversations, and with the increasing gentrification of the area, a number of diverse clients (including a white gay man) occasionally enter the mix.
Romania. Seven years in the life of a family of believers, struck by the illness of a little girl suffering from spina bifida pass before the camera, with a polluted town scarred by unemployment serving as a background.
In the 1970s and 80s, hundreds of thousands of senior citizens migrated from New York City to Kings Point, a typical retirement community, located just outside West Palm Beach, Florida. Lured by blue skies, sunshine, palm trees, and the promise of a rich social life, they bought their way to paradise for just a $1,500 down payment. Now, as an aging community faces its own mortality, paradise has begun to exact a higher price. Through the experiences of six longtime residents, 'Kings Point' captures both the allure and the darker complexities of living in a world where 'nobody gets too close.' Poignant, funny and dark, 'Kings Point' is a deeply empathetic portrait of the last act of the American Dream.
Nahid meets Anders who is dating 24 women at the same time. Anders, Me and His 23 Other Women is a film about love, loneliness and dating in the 21st century.
Finding love has never been easy. But it's also never been easier. Online dating sites thrive on the promise that dates and mates are just a 'click' away...but are they? From Robert Kenner comes a compelling new documentary about the way we woo in a wired world.
Xiara Trujillo is a precocious seven-year-old who moved from the Bronx to Maryland with her mom, Aracelli Guzman, four years ago. Though she seems happy hanging out and playing with her pal Melissa, Xiara becomes defensive and emotional when talking about her father, Harold Linares. As we see and learn, Harold is in jail serving a ten-year sentence for weapons possession; Xiara seems to blame his incarceration on her mother, whom she says kept calling the police. Xiara, who has always been extremely close to her father, acts out with her mother.
Oscar® winners Mark Jonathan Harris and Deborah Oppenheimer (INTO THE ARMS OF STRANGERS: STORIES OF THE KINDERTRANSPORT) roam courtrooms, foster homes, juvenile halls and the streets of Los Angeles to tell the moving human stories behind the largest county child protection agency in the United States.
A SUITABLE GIRL follows three young women in India struggling to maintain their identities and follow their dreams amid intense pressure to get married. The film examines the women's complex relationship with marriage, family, and society.
69-year-old Jola puts on elaborate make-up, while her husband spouts casual abuse in the background, how she never had much in her head and is basically worthless when it comes down to it. So Jola leaves Italy on a train bound for her native Poland. There, on the beach, she takes a trip down memory lane with her girlfriends: how she married the young man who got her pregnant, swore to care for him “in good times and in bad”, raised her six children and put up with punches, put-downs and her husband’s drinking problem. And now? Now she dresses elegantly, and takes singing and dance lessons. In the process, she meets a gentleman her age, Wojtek and the two strike up a friendship. But divorce, at her age? What will her family, her friends or the church say? Of course, one can just leave, everyone is free to choose, but is it the right move?
Compared to girls, research shows that boys in the U.S. are more likely to be diagnosed with a behavior disorder, prescribed stimulant medications, fail out of school, binge drink, commit a violent crime, and/or take their own lives. Jennifer Siebel Newsom's new documentary film, The Mask You Live In, asks: As a society, how are we failing our boys?
What is love? And how does it function as an emotion? Looking at the latest research from Heidelberg and Hannover universities as well as Seattle’s ‘Love lab’, scientists analyse love the biology of love.
Two mothers who were each separated from their children in the United States for months after fleeing from danger in their homelands to seek asylum work with pro-bono lawyers and volunteers to reunite with their kids who have been placed thousands of miles away from them with little access to communication.
Why do human beings get married in almost every society in the world? Why do we cheat? Why is monogamy so important to a relationship and why does infidelity cause so much grief? These are some of the questions acclaimed documentary filmmaker Dhruv Dhawan confronts in his next feature length documentary which explores why human beings evolved cultures of marriage and monogamy that are rife with infidelity. As he attends various lavish weddings occurring within his family, Dhruv is pestered to follow suit but is haunted by his family’s history of infidelity, as well as his own and embarks on a personal quest to discover the origins of marriage, the reasons for monogamy and the pain of infidelity as he tries to mediate an open relationship with the woman he loves. Dhruv’s search takes us on a journey into the biology of sex, the history of patriarchy and the politics of monogamy told through the lives of scientists, swingers, adulterers and Dhruv’s own family.
This feature-length documentary follows a group of people whose lives are dramatically transformed by a virtual world -- reshaping relationships, identities, and ultimately the very notion of reality.
Zuzia – 12, has been training vaulting for two years and has extraordinary role topping the acrobatic pyramid. She is «flyer» lifted by the stronger and more experienced vaulters-«base». Another intensive season begins. During training sessions it becomes apparent that the girl has lost some of her grace and lightnes. At first the coach blames the «base» but they admit that Zuzia is to big to lift her. It became clear that she is «just growing» and her role is given over to a younger girl.
The film is an inquiry into contemporary forms of alternative models of partnerships. For many protagonists, polyamory, open marriage or long-term lover-to-lover relationships present a fulfilling life style, but also a struggle with misunderstanding of the society or conflicts within their own relationships. The director follows the development of relations of her protagonists over several years, while in intimate talks, she searches for the joy, striving and insecurities brought along by such unusual faces of love, revealing a need for redefining partnership in our times.
HBO Hungary looks at the popularity of Pierre Woodman, a French porn director known for his amateur \casting\ shoots and contract work with Private and Hustler. Woodman prowls the malls and cafés of Eastern Europe seeking attractive, persuadable 19-year-olds to film in his hotel room.
As the carrier of a nation's hopes, there is a lot riding on Overdose. The successes of Hungary's premier racehorse have provided welcome relief from a decades-long legacy of fiscal austerity. But with Big Business cashing in on this symbol of optimism, the horse soon becomes a pawn in a game of egos and politics.
Harm means deliberate self-injuring in our poetic documentary, which follows three brave and emotionally capturing characters who are ready to unfold their unsettled past with the risk of discovering something painful on the way.
