Pedro Casablanc

The day Oskar, a typical local boy, crosses paths with the mysterious and wealthy Farad family, his life changes forever. Oskar enters a winner-take-all game, the world of international arms trafficking. In Marbella where the Farads live, luxury, adrenaline and intense emotions await him... But also a backside of violence and cynicism that tests his will.

A gay gym teacher wants to be a father and when his boyfriend's sister, a former addict, comes back on the scene there is now a possible solution.

London, 1605. Robert Catesby, a 33-year old Warwickshire gentleman, devises a plot to blow up Parliament and kill the King.

When aimless Manon begins work at A mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.

Barcelona, late 60's. Eugenio Jofra, a young jeweler, meets Conchita on a bus. They instantly fall in love and the two begin the love story of their lives. Eugenio learns to play the guitar to accompany Conchita in her musical career, for which he will have to fight stage fright. Thus begins the musical career of 'Els dos'. When Conchita has to leave Barcelona for two weeks, she convinces Eugenio to carry out the performances on his own. When he returns, Eugenio has become a phenomenon of underground humor in the city. Little by little, the two of them build up the character: the glasses, the black shirt, the stool, the cigarettes and the tube glass, which will become an unexpected success in a depressed Spain desperately looking for a laugh with this unique comedian who starts all his jokes with 'Saben aquell...'

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

After twenty-five years, Silva rides a horse across the desert to visit his friend, sheriff Jake. They celebrate the meeting, but the next morning, Jake tells him that reason for his trip is not to go down the memory lane of their friendship.