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Margarethe von Trotta
(Source: TMDB)

Margarethe von Trotta

02/21/1942 (82 years old) | Berlin, Germany | Female
Margarethe von Trotta (German: ma?ga'?e?t? f?n 't??ta; born 21 February 1942; Berlin) is a German film director, screenwriter, and actress. She has been referred to as a leading force of the New German Cinema movement. Von Trotta's extensive body of work has won awards internationally. She was married to and collaborated with director Volker Schlöndorff. Although they made a successful team, von Trotta felt she was seen as secondary to Schlöndorff. Subsequently, she established a solo career for herself and became Germany's foremost female film director, who has offered the most sustained and successful female variant of Autorenkino in postwar German film history. Certain aspects of von Trotta's work have been compared to Ingmar Bergman's features from the 1960s and 1970s.The predominant aim of her films is to create new representations of women. Her films are concerned with relationships between and among women (sisters, best friends, etc.), as well as with relationships between women and men, and include political settings. Nevertheless, she rejects the suggestion that she makes women's films.She is a recipient of one Golden Lion at Venice Film Festival, 2 David di Donatello Awards, Gold Hugo Award at Chicago International Film Festival, Lifetime Achievement Award at European Film Award, Lifetime Achievement Award at German Film Awards, 2 Palme d'Or nominations at Cannes Film Festival, and numerous other awards and nominations.

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Hannah Arendt

Movie | Germany | 09/11/2012 | Biography | Writers
Hannah Arendt is a portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.
7.1/10
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