Gastón Duprat

Eliseo is the superintendent of an upscale building. On the surface, is cordial and docile in his role, but underneath Eliseo believes himself the omnipotent figure of the community — meddling in the affairs of residents and pulling strings as he sees fit. Eliseo's only concern is protecting his job, which comes under threat by a proposed pool project.

An iconic bon vivant, who barely has enough resources to maintain his affluent lifestyle, hires a young woman from Paraguay to replace the recently deceased maid who took care of him for more than 40 years.

When a billionaire entrepreneur impulsively decides to create an iconic movie, he demands the best. Renowned filmmaker Lola Cuevas is recruited to mastermind this ambitious endeavour. Completing the all-star team are two actors with massive talent but even bigger egos: Hollywood heartthrob Félix Rivero and radical theatre actor Iván Torres. Both are legends, but not exactly best friends. Through a series of increasingly eccentric trials set by Lola, Félix and Iván must confront not only each other but also their own legacies. Who will be left when the cameras finally start rolling?

Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.

A male nurse steals some of one of his patient's drawings and makes money with them.

When two neighbours clash, their argument becomes less about proposed building alterations and more about the wider battle between class and social status. The hugely impressive building in question is the only example of a Le Corbusier residential home in all of Latin America, adding to the poignancy of their argument. Winner of six Argentinean Academy Awards in 2010, including Best Film.