Marnie Similar Movies

Mike Nichols’ film from Edward Albee's play brought new themes to the film industry. Elizabeth Taylor and Richard Burton have never been more brilliant together as they portray an experienced married couple who love each other yet verbally attack one another when they see how boring their naive newlywed guests have made their night.

Managers at the construction of a big hydro plant are accused of having embezzled money.

Matylda (Jaroslava Ticha), who lives in the Czech countryside, is trying to arrange burial plans for her dying husband, Jan (Ludvik Kroner). While Matylda hopes to have a funeral for Jan in the small town where they once lived, there are complications. Years earlier, Jan spoke out against the Communist government and was consequently expelled from the town. When Matylda fails to convince a local politician to allow the ceremony, she uses her husband's funeral as a public show of dissent.

A day in the life of Arnošt, a soldier staying in Josefov. A sense of desperation permeates the environment as well as the mind of the protagonist. It is sunday, and saturday left just a hangover. Days go by, nothing changes. A metaphor for the political situation in the Czech lands at a time where depicting a soldier as a drunk was considered out of place to say the least.

The story of a young Jewish girl who survives the horrors of WWII but finds difficulty adjusting to a normal life.

The rigid principles of a devout Catholic man are challenged during a one-night stay with Maud, a divorced woman with an outsize personality.

An allegory set in an archetypal Czech village, it tells of what happens when a sequence of mysterious events take place, including the disappearance of the stationmaster. While everything has a rational explanation, collective paranoia takes hold and everyone’s worst instincts are released. Interrogations, the abolition of rights and the search for scapegoats ultimately lead to murder

On their way to a sailing trip, an aging husband and wife invite along an emphatic young hitchhiker out of sheer patronization.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

Amid the modern wastelands and toxic factories of Italy, wife and mother Giuliana (Monica Vitti) desperately tries to conceal her tenuous grip on reality from those around her, especially her successful yet neglectful husband, Ugo (Carlo Chionetti). Ugo's old pal, Corrado (Richard Harris), shows up in town on a business trip and is more sensitive to Giuliana's anxieties. They begin an affair, but it does little to quell Giuliana's existential fears, and her mental state rapidly deteriorates.

In a remote Slovak village in the closing days of World War II, a schoolteacher and his young wife find a wounded Russian parachutist in their front yard just as the Germans are coming in to occupy their village. As his wife readily becomes involved with anti-Nazi partisans, the schoolteacher collaborates with the Germans in fear.

An engineer was unable to adjust to the world around him. Following his suicide attempt is at heart a scathing portrait of social alienation and moral compromise.

Arthur, a university professor, and former political activist, lives in France with Francesca. They decide to hire a young man in order to help the teacher organize his notes. The employee leaves his girlfriend Ingrid and moves in with the couple.

A boy accidentally kills a carrier pigeon in this story told through symbolism and imagery.

A murder in a hospital run by incompetents.

When a man stops at a motel one evening in 1961, his tormenting behavior drives one of the people present at the motel to remember his experiences in a concentration camp during WWII.

Michal's father and his friends are stigmatized by their war experience and the post-war social deformations in which they took part either directly, or watched them cowardly and in silence. They are trying to repress their feelings of guilt and justify their behavior to the young generation with memories of their heroic war feats. Michal, however, does not want to have anything to do with their problems. He subconsciously perceives the unpleasant atmosphere in the family as well as his father's hypocrisy. After one of many quarrels with his father, he runs away from home, determined to go his own way.

Madison Avenue advertising man Roger Thornhill finds himself thrust into the world of spies when he is mistaken for a man by the name of George Kaplan. Foreign spy Philip Vandamm and his henchman Leonard try to eliminate him but when Thornhill tries to make sense of the case, he is framed for murder. Now on the run from the police, he manages to board the 20th Century Limited bound for Chicago where he meets a beautiful blond, Eve Kendall, who helps him to evade the authorities. His world is turned upside down yet again when he learns that Eve isnt the innocent bystander he thought she was. Not all is as it seems however, leading to a dramatic rescue and escape at the top of Mt. Rushmore.

After Regina Lampert falls for the dashing Peter Joshua on a skiing holiday in the French Alps, she discovers upon her return to Paris that her husband has been murdered. Soon, she and Peter are giving chase to three of her late husband's World War II cronies, Tex, Scobie and Gideon, who are after a quarter of a million dollars the quartet stole while behind enemy lines. But why does Peter keep changing his name?