This film is based on the story of So Wa Wai, the medal-winning Paralympic athlete. It teaches audiences that even people who “lose on the starting line” can achieve victory as long as they persist.
A retired British Chinese soldier, a young South Asian man, an encounter at Chungking Mansions. Coincidentally, they both offended the same gang boss. What has given them a new lease of life and how do they rediscover themselves through each other’s company…
Sequel to the critically acclaim The Kid From The Big Apple. Sarah is back in Malaysia to spend her holiday with grandpa who is showing signs of dementia.
Just out of jail, Fai finds a spot on a street corner where other homeless people welcome him. But he doesn’t get much time to settle in. The police soon chase them away, and their possessions disappear into a garbage truck. Young social worker Ms Ho thinks it’s time to fight this in court. In the meantime, Fai and his friends have other concerns.
One day PAK, 70, a taxi driver who refuses to retire, meets HOI, 65, a retired single father, in a park. Although both are secretly gay, they are proud of the families they have created through hard work and determination. Yet in that brief initial encounter, something is unleashed in them which had been suppressed for so many years. As both men recount and recall their personal histories, they also contemplate a possible future together. SUK SUK studies the subtle day-to-day moments of two men as they struggle between conventional expectations and personal desires.
For his project under the lauded First Feature Film Initiative programme, director Ka Sing- fung tells the heartrending journey of a woman whose life is forever changed by the children she takes in as a temporary foster carer. In a career-best performance, Sammi Cheng stars as Mei, a woman trying to get over the death of her young son through the children she welcomes into her home. Each ward offers Mei a different challenge and a newfound appreciation for the difficulties of motherhood, but when her dedication to the job causes her marriage to turn sour, Mei is forced to make a choice.
Hassan is a Hong Kong-born Pakistani kid waiting for refugee status to Canada. His father died in a car accident that Yat is involved in, who himself was a refugee from China in the 1970s. When Hassan joins a refugees' gang and gets entangled with the police, Yat decides to help him flee, but Hassan finds out the truth about his father's death. Can their journey continue?
How much difference does one second make? Can it be the difference between life and death? A loser single father learns that lesson the hard way when he becomes gifted with the power of seeing one second into the future. When his ability is exposed, a boxing buff persuades him to use his power in the boxing ring. After reviving Hong Kong’s vampire genre as the co-director of Vampire Cleanup Department, Chiu Sin-hang (also the lead vocalist of local band ToNick) combines the boxing genre with a refreshing dash of fantasia in his thrilling solo directorial effort.
The Kowloon Industrial District is home to many of Hong Kong’s artists, including rapper Heyo, YouTuber Alan, rising star Hana, and dancer. However, the government is preparing the area for gentrification. The group from ‘The Way We Dance’ were invited to participate in a publicity stunt to transform the district into a ‘Dance Street’. Alan points out that this is an opportunity to garner support from the public. Meanwhile, Heyo’s master Afuc is planning a revolution…
A paralysed and hopeless Hong Kong man meets his new Filipino carer, who has put her dream on hold and come to the city to earn a living. These two strangers live under the same roof through different seasons. As they learn more about each other, they also learn more about themselves. Together, they learn about how to face the different seasons of life.
