Mystic Pizza Similar Movies

A satiric tragi-comedy about two women and their lover Robert who is an emigrant that keeps coming back. This film shows chaotic post-communist Europe after the fall of totalitarianism. Two opposite characters, women, meet during the Velvet Revolution in November 1989. Intellectual dissident Nona and a Communist secret police boss’ mistress Ester. They meet at an anti-regime demonstration and become friends. They don’t want anything to do with politics, both want to get married and have kids, but also get rich. Crazy plans and risky attempts to realize their shared dreams land them in many sticky situations in the post-revolution chaos. Too much money gets in the way of the power of friendship.

After the death of a friend, a writer recounts a boyhood journey to find the body of a missing boy.

This movie is based on texts of Bohumil Hrabal, world-known Czech prosaic. Its a story (in a form of a mosaic of short episodes and pictures) about the sadness and happiness of inhabitants of Kersko (Kersko is a small woody area full of cottages and roods). These people are both simple and sensitive, they have their own pleasures (e.g. Leli is a collector of cheap, but inutile things) and the greatest delight of all of them is a hunting. Crude poetics of amateur hunting is screened by dreamy pictures of this area. Menzel mixes sentimental lyricism and rough (but not vulgar!) humor and the outcome is the never-ending landscape of continuous life in the proximate nearness of nature. The performances of actors are brilliant. Both Rudolf Hrusinsky as a Franz and Jaromír Hanzlik as a Leli have nonrecurring charm bottomed on a pain and inebriation. Only the music is not perfect: Jiri Sust usually assembled his film music from his older works and in this movie there is many quotations.

The Narrator (Woody Allen) tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Years Eve 1944, this coming-of-age tale mixes the narrators experiences with contemporary anecdotes and urban legends of the radio stars.

Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.

The denizens of a brothel deal with internal drama, as well as pressure from greedy land developers and an anti-sex work politician to leave town.

Young Eugene from the provinces travels to Prague in search of fame. Once there he gets an offer to write engagé lyrics for pop songs...

Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini's childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.

Vicki returns to her elder sister Beth's house in Australia after an affair in Italy. Beth, with a teenage daughter, has become involved in something of a marriage of convenience with Frenchman J.P., and her rather prickly houseproud ways are causing frictions counterpointed by Vicki's more laid-back and indolent air. When Beth goes off on vacation to the outback alone with her cantankerous father to see if they can finally get to know each other, relationships in the household start to shift.

The movie's main storyline follows the life of Otík, a mentally retarded young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.

The time is 1945-46. 10 year old Eda and his friend Tonda live in a small village outside Prague. In school, their class is so wild and indisciplined that their teacher quits and is replaced by the militant Igor Hnidzo. He is very strict - but also very just. His weakness is his interest in young women. Plot by Mattias Thuresson.

Komedie vás přesvědčí o tom, že i na chmurné stránky naší historie je možné se dívat s nadhledem a humorem. Čo bolo, to bolo... Major Terazky vede svůj šik pétépáků od průšvihu k průšvihu vstříc světlým zítřkům. Česká filmová komedie podle románu Miloslava Švandrlíka.

Set in a small Ukrainian village during the outbreak of war with Germany in 1941 Private Chonkin, not overly endowed with intelligence, is left to guard a downed military aircraft. The authorities appear to have forgotten about him so this leaves him free to work his chams on the village postmistress, Njura, untill the local militia are tipped off.

An anthology of 5 different cab drivers in 5 American and European cities and their remarkable fares on the same eventful night.

The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the 'black sheep' of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers.

A bachelor named Faun with a Don Juan complex, seized with a hypochondriacs fear of the ineluctable approach of death, enters a race against times passage. Fauns sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age cant manage to forgo his lifelong pose as an irresistable seducer of women. He desperatly searches in superficial, fleeting sex.

Heinzi Boesel and Kurt Fellner are two Austrian health inspectors forced to work together, traveling through Austria. Over time a beautiful friendship evolves between the odd couple who couldn't stand each other initially; a friendship that even overcomes the boundaries of great tragedy.

Four very different Montreal university teachers gather at a rambling country house to prepare a dinner. Remy (married), Claude (a homosexual), Pierre (involved with a girlfriend) and Alain (a bachelor) discuss sex, the female body and their affairs with them. Meanwhile, their four female guests, Louise (Remy's wife of 15 years), Dominique (a spinster), Diane (a divorcée) and Danielle (Pierre's girlfriend) are spending the time at a downtown health gym. They also discuss sex, the female body and, naturally, men. Later in the evening, they finally meet at the country house and have dinner. A ninth guest, named Mario, who used to know Diane, drops in on the group for some talk and has a surprise of his own.

When Terry Griffith loses her high school's writing competition, she's convinced that it's because she's a girl. So Terry decides to change high schools and pose as a boy to prove her point. Her brother, Buddy, helps her pass as a guy so well that she is soon making friends with the boys at school, including the attractive Rick, who becomes her new best friend. But her gender-swapping makes things difficult when she falls in love with him.

The story of Nola Darling's simultaneous sexual relationships with three different men is told by her and by her partners and other friends. All three men wanted her to commit solely to them; Nola resists being \owned\ by a single partner.

Three related women, all named Cissie Colpitts share a solidarity for one another which brings about three copy-cat drownings. The local coroner is in love with all three women and helps to disguise the murders.

A film which lays out serious topics that include a woman's capacity to hold her own in society, sexual mores, and abortion, and balances them with comedy and irony