In the Golden Age of Hollywood, two men had it all; one was a top screenwriter, the other a film idol. But when the witch hunts of McCarthyism swept into Tinseltown, it drove one out of the country and the other to suicide.
Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in Alexandria, Why? and An Egyptian Story. Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.
This compelling story vividly recreates Hollywood's infamous 'Blacklist Era'. The witch-hunt has begun and director David Merrill (De Niro) can revive his stalled career by testifying against friends who are suspected communists. Merrill's ex wife (Bening) shares a whirlpool of scandals that draws them closer togheter while his chances for ever making movies again slips further away...
Celeste Talbert is the star of the long-running soap opera \The Sun Also Sets.\ With the show's ratings down, Celeste's ruthlessly ambitious co-star, Montana Moorehead, and the show's arrogant producer, David Seton Barnes, plot to aggravate her into leaving the show by bringing back her old flame, Jeffrey Anderson, and hiring her beautiful young niece, Lori Craven.
Buddy Young was the comic's comic, beloved by everyone. Now, playing to miniscule crowds in nursing homes, it seems like everybody but Buddy realizes that he should retire. As Buddy looks for work in show business, he realizes that the rest of the world has forgotten the golden days of Buddy Young, and that there just may not be room in the business for an old comic like himself.
A thinly fictionalized account of a legendary movie director, whose desire to hunt down an animal turns into a grim situation with his movie crew in Africa
An unemployed visionary finds a job as the manager of a television station his uncle owns. Unfortunately, due to gambling debts, the uncle is forced to consider selling the station to a rival station's owner. With popular less-than-network standards of programming, George and his friends try to save the town's new favorite station.
F/X man Rollie Tyler is now a toymaker. Mike, the ex-husband of his girlfriend Kim, is a cop. He asks Rollie to help catch a killer. The operation goes well until some unknown man kills both the killer and Mike. Mike's boss, Silak says it was the killer who killed Mike but Rollie knows it wasn't. Obviously, Silak is involved with Mike's death, so he calls on Leo McCarthy, the cop from the last movie, who is now a P.I., for help and they discover it's not just Silak they have to worry about.
The Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th-century Russian composer. In an ancient spa town, he meets the lunatic Domenico, who years earlier had imprisoned his own family in his house for seven years to save them from the evils of the world. Seeing some deep truth in Domenico's act, Andrei becomes drawn to him. In a series of dreams, the poet's nostalgia for his homeland and his longing for his wife, his ambivalent feelings for Eugenia and Italy, and his sense of kinship with Domenico become intertwined.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
A young country girl comes to town and works in a brothel in order to help her fiance get the money to start his own business. \Paprika\ is the name given to her by the madam.
\The Family,\ an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfathers lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the films structure. Comfort or passion? Carlo couldnt really decide until it was too late.
Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel. He is no clergyman by the book, but a true believer in terms good and bad and he teaches this to his children. Neri is not very well-seen by the church and his only \friend\ is the dry, humorless Ignatius De Loyola. But Neris real counterpart is the devil himself, working in endless incarnations in Neris direct neighborhood, trying to seduce his kids. His newest kid is the young thief Cirifischio, making a lot of problems. When Cirifischio has an argument with a young boy of a local aristocrat, the boy turns out to be a girl, the young Leonetta, some kind of a sex slave for her owner. Neri adopts her too, and the young people fall in love. 15 Years later, the devil is back and leads Cirifiscio onto a murder. Now lawless, the thief must flee Neri and leave Leonetta back...
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini's childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.
La Traviata is a 1983 Italian film written, designed, and directed by Franco Zeffirelli. It is based on the 1853 opera of the same name with music by Giuseppe Verdi and libretto by Francesco Maria Piave. The film actually premiered in Italy in 1982, then went into general release there in 1983. It opened in theatres in the U.S. on April 22, 1983.Tenor Plácido Domingo and soprano Teresa Stratas star in director Franco Zeffirellis lushly cinematic version of Verdis opera La Traviata (The Woman Gone Astray), a story of doomed love in 1840s Paris. Violetta (Stratas), who is the mistress of a wealthy baron, hosts a lavish party to celebrate her improved health after a bout with tuberculosis. There she meets Alfredo (Domingo) and becomes smitten with him as he, she, and the guests join in the famous Drinking Song.
Angelina is tired of long serious relationships. One day she is brutally raped and she changes dramatically. Suddenly she is getting involved in more and more dangerous relations with unknown men until her behavior leads to a fatal crime.
