Movie | United States | 03/26/1970 | Documentary | Music
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
Movie | United States | 01/01/1970 | Documentary
This documentary by Theo Kamecke from 1970 gives an indepth and profound look at the Apollo 11 mission to the moon. NASA footage is interspersed with reactions to the mission around the world as the film captures the intensity as well of the philosophical significance of the event. Won special award at Cannes. Written by Adam Bernstein .
Movie | United States | 01/01/1968 | Documentary
Filmmakers (and brothers) Albert and David Maysles follow four employees of a company that makes expensive, ornate, illustrated bibles as they attempt to sell the items door-to-door to less-than-interested customers, who are mainly poor or lower-middle-class Catholics with little money to spend on pretty Bibles.
Movie | United States | 12/18/1966 | Documentary | Movie
Walt takes viewers on yet another tour of Disneyland to point out some of the newest additions to the park, including New Orleans Square, It's a Small World, and Great Moments With Mr. Lincoln.
Movie | United States | 12/06/1970 | Documentary
This documentary of the Rolling Stones' 1969 US tour has become a legendary, harrowing symbol of the tragic demise of the \Peace and Love\ era. After a successful tour across the US, the Rolling Stones gave a free December concert at Altamont Speedway in California with the Grateful Dead, Ike and Tina Turner, Jefferson Airplane, and the Flying Burrito Brothers. The band unwisely selected the Hells Angels to provide security, and the bikers resorted to violence to keep the stoned, restless, and often naked crowd in line. The result: dozens of injuries and the on-screen stabbing of a young black man (during \Sympathy for the Devil\) by one of the concert's staff security. In a manipulative but effective move, the Maysles brothers filmed Mick Jagger in the editing room witnessing the on-camera murder for the first time. The film also works as a rock-and-roll document, capturing the band at their most relaxed, intoxicating, and electrifying.
Movie | United States | 06/15/1966 | Documentary | Sport
The Endless Summer, by Bruce Brown, is one of the first and most influential surf movies of all times. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which back in 1965 was off-season for surfing) in search of the perfect wave and an endless summer.
Movie | United States | 12/01/1969 | Documentary | Arts
An epic portrait of the New York avant-garde art scene of the 60s.
Movie | United States | 03/03/1965 | Documentary
This insightful documentary features some of the major and most beautiful actresses to grace the silver screen. It shows how the movie industry changed it's depiction of sex and actresses portrayal of sex from the silent movie era to the present. Classic scenes are shown from the silent movie, True Heart Susie, starring Lillian Gish, to Love Me Tonight (1932), blending sex and sophistication, starring Jeanette MacDonald (pre-Nelson Eddy) and to Elizabeth Taylor in, A Place in the Sun (1951), plus much , much more.
Movie | United States | 09/06/1966 | Documentary | Crime
An oblique documentary about the LSD group experiments of Timothy Leary, with off screen commentary of a participant and shots of Leary's house and the surroundings.
Movie | United States | 10/28/1968 | Documentary
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?