Xavier Beauvois

As he approaches sixty, the time has come for Pierre Leprieur to take stock of his life. What did he accomplish and what did he mess up during his life? He was formerly an influential trade unionist on the docks at Le Havre. The passing years saw his relationship with his wife and his now-adult children subside. One evening, with his whole family gathered together to celebrate his birthday, the party is ruined. His sons, Jean and Simon, find themselves accused of mass drug trafficking. Whilst their sister, Emma, a criminal lawyer, tries to get them out of this difficult situation, Pierre, who si convinced that he is being targeted, does his utmost to help them. Yet he knows that if he roots around too much, he could end up unearthing truths best left untold.

French drama based on the 1996 kidnapping and killing of seven monks in Algeria. A group of Trappist monks reside in the monastery of Tibhirine in Algeria, where they live in harmony with the largely muslim population. When a bloody conflict between Algeria's army and Muslim Jihadi insurgents disrupts the peace, they are forced to consider fleeing the monastery and deserting the villagers they have ministered to. In the face of deadly violence the monks wrestle with their faith and their convictions, eventually deciding to stay and help their neighbours keep the army and the insurgents at bay.

Isabelle, Parisian artist, divorced mother, is looking for love, true love, at last.

Simon, a well-known French filmmaker, starts shooting his next film. A story about workers fighting to protect their factory from being relocated. But nothing goes as planned... His producer Viviane wants to rewrite the ending and is threatening to cut the budget; his own crew goes on strike; his personal life is in shambles; and to make things worse, his lead actor Alain is an egocentric jerk. Joseph, an extra who wants to get into the film industry, agrees to direct the making of and shoot the behind-the-scenes. He takes his role very seriously and starts following around the crew, capturing all this mess... What follows is proof that the making of can sometimes be far better than the film itself!